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Found 7 results

  1. https://loopvids.s3.amazonaws.com/Apr27Post.mp4 A very common martial arts movie trope is that you learn to fight so you don't have to fight. With just a little bit of thought, this makes perfect sense. If you don't know how to fight, AND you are worried about getting beat up, you will project a certain non-verbal energy. Street thieves, pickpockets, etc. know exactly WHO will be most likely to NOT put up a fight. And who will most freaked out to NOT remember much. They look for people with "weak" body language. Lack of eye contact, slumped shoulders, etc. Since this is more or less their "profession," they have to know consciously who to target and who not to target. They make a mistake, they got to jail, or get pepper sprayed in the face, or get their eyes gouged out, or get kicked in the nuts a few times. So when you learn to "fight," you slowly shift your body language. By building in plenty of memories of successfully defending yourself, you slowly REPLACE fear with confidence. So you exhibit much different body language. One that bullies and pick pockets want NOTHING to do with. A very close parallel can be drawn between frame and game. The main difference is it is largely subconscious. To both sender and receiver. But the process is the same. Suppose, for example, you had a pretty weak frame. And you decided to do some cold approaches to build your frame. And suppose you decided to keep plenty of data. You did a lot of post game journaling. You kept track of what you said, what she said. Who she was with, what was doing, what, if any, signals you got before the approach, etc. So long as you kept good records, and embraced the natural feedback loop, you would get better and better. Because your frame would be slowly getting stronger and stronger, you would be getting better and better results. This is EXACTLY what they mean when they say, "success breeds success." The problem is OBVIOUS. Before you got to that tipping point, it would take a LOT of courage. You would have to suffer through a LOT of rejection. Regardless of what anybody says, rejection sucks. It takes a lot of mental effort to muscle your way through all those approaches, all that rejection, to eventually (hopefully) get to the tipping point. This is where the metaphor is MUCH DIFFERENT than martial arts. Learning any kind of martial arts means you are surrounded by very helpful people. Doing a bunch of approach is ONLY you, and all the people rejecting you. That's why people very RARELY improve their frame through brute force practice. But there's also another way. Because frame is much more based on how you INTERPRET events. And you can CHANGE how you interpret events. Particularly all the ones that already exist in your mind. All your memories. Change how you reference your past, and you will have a PROFOUND impact on your frame, your confidence, and your game. Learn How: https://mindpersuasion.com/pre-framing/
  2. There's a powerful technique in the Milton Model. Of course, there are many, and this is but one. It's called the, "I'm not going to tell you..." pattern. It works because as soon as you utter those words, people's brains kind of turn down their defensive shields slightly. So if you say something like, "I'm not going to tell you to buy this product." It is a sneaky way to slip in the "buy this product" command. But it's very useful if you add on a bunch of stuff after. And that it seems like the stuff you add on after is the main part of the sentence. It's kind of like a magic trick. If you study magicians, they often to the "trick" part very early on in their routine. Then they do a bunch of talking after. If they can spit some pretty good game, the talking part is kind of a "mental cover" so you'll forget what happened before. So when they do the "reveal" it will seem much more magical. So when you use the "I'm not going to tell you..." pattern, it works the same way. You put in the command directly AFTER the "I'm not going to tell you..." and then you add on a bunch of stuff that will give them a reason to do EXACTLY what you said you weren't going to tell them to do. For example: I'm not going to tell you to BUY THIS EBOOK, because I want you to decide for yourself whether you would like to significantly increase your charisma and seductive powers. After all, many people find they don't like having gorgeous women following them everywhere and begging for sex. But you can also do this in a much subtler and more profound way. You don't ever actually SAY, "I'm not going to tell you." But you CREATE that feeling. Whenever you approach somebody, either a romantic target or a customer, it's hard to do so and pretend you aren't. If you are a guy, and you walk up to a girl in a social situation (or vice versa) it's pretty obvious what's going on. It's even MORE obvious if you are a salesperson and you approach somebody browsing in your shop. But there IS a way to approach WITHOUT any sales or romantic energy. And then through VERY relaxed and VERY subtle conversation, TURN UP their desire (buying, romantic or otherwise). And do so SO delicately they believe it is COMPLETELY their idea. They will actually believe that they are SPONTANEOUSLY feeling buying or romantic desires. For THEIR reasons. Which means there will be very little, if any, internal resistance. Learn How: http://mindpersuasion.com/deep-mind-persuasion/
  3. https://mindpersuasion.com/bar-tricks-and-puzzles/
  4. https://mindpersuasion.com/sexy-bartender-strategy/
  5. One of the easiest ways to sneak any idea into anybody's mind is put it in hypothetical language. There are many ways to do this. One is by using the second conditional. This uses the past tense and "would" or "could." Whenever we hear the second conditional, we subconsciously understand it's just a hypothetical question. For example, just taking a standard compliment (you're beautiful) and putting it into the second conditional makes it MUCH HARDER to process. Try this out for yourself to see what I mean. Walk up to an attractive woman, and give her a blatant compliment. "You are beautiful." See what she ways. She might blush, she might say thank you, she might call the cops. Maybe you could try it on five to ten women to get an average. Then put it in the second conditional. "If I told you that you were beautiful, what would you say?" This is ALMOST a compliment, but not quite. If you tried this on five different women, you'd get a much better response than if you just said it flat out. Just this simple linguistic "trick" is enough to get her mind spinning. Imagine what you could do when you use ALL of your communication like this. Because the second conditional is just one of MANY techniques to get her feeling emotions, but not quite sure why. One simple statement won't do much. And she'll have a good idea that it's a "line" since it really IS a line. But when you speak to her for several minutes like that, using all kinds of different techniques, it will add up to something amazing. She'll be feeling emotions that add up to attraction, but she won't be quite sure why. AND she'll be looking at you the whole time. And since our brains HAVE to have a reason for everything, she'll come up with HER OWN REASONS why she's looking at YOU and feeling attraction. And once that happens, she'll NEVER get you out of her mind. Learn How: Hypnotic Seduction
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