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  1. Lust For Life: https://mindpersuasion.com/lust-for-life/ https://mindpersuasion.com/mm/
  2. Funny Brain Hacks: https://mindpersuasion.com/funny-brain-hacks/ https://mindpersuasion.com/3x3/
  3. https://loopvids.s3.amazonaws.com/July28Post.mp4 What does humor and hypnosis have in common? A very similar linguistic structure. Most people never think much about language. We learn it, we use it and that's that. But studying the structure of language can give you a huge advantage. One, because the structure of language IS the structure of thought. When you speak not only articulately but entertainingly, people will make a LOT of assumptions about you. Most of them subconscious. They'll assume, subconsciously, that your brain is as interesting as your language. And having an interesting brain will open a lot of doors. Doors into other people's minds, their thoughts, their dreams, and their futures. All brains have an attention span. Kind of like Lucy and Ethel while they were working for the chocolate factory. If you have no idea what that means, I Love Lucy was a TV show way back in the fifties. And one of the episodes is one of the BEST episodes of TV History, according to TV guide. Once upon a time there was no streaming movies, no Internet, only TV. And TV Guide was THE authority on all things TV. Anyhow, Lucy and Ethel found themselves working on a chocolate candy production line. The chocolate would go by slowly, and they'd have to take them off, quickly wrap them, and then put them back. If they went unwrapped, they'd both get in big trouble. Of course the chocolates started off slowly. Then it kept getting faster and faster. Pretty soon they were shoving the chocolates in their mouths to keep from getting into trouble. This is like most people's brains. People talk, and we see a kind of stream of ideas flowing by. Most people talk about pretty simple, mostly second hand ideas. So not only are they familiar, but they move by pretty slowly. But when you understand the similar structure between hypnosis and humor, you can have a lot of FUN with people. One trick is ambiguity. This is when one thing, a word or a phrase, can mean two different things. For words, this is the source off all playground riddles. Why did the boy study on the airplane? He was in high school. What starts with "e," ends with "e" but only has one letter? An envelope. What did the beach say when the tide came in? Long time no sea. But you can stretch out other ambiguities when speaking longer stories. Like when you use a bunch of pronouns, and it's not clear who they are referring to. Like the other day, I was in the library talking to the librarian and her cute friend. She was telling her how her sister went to see this psychic who had a lot of sexual energy. She was reading her aura and she said that you have a lot of potential sex in your future, but only if you pay attention to this. Then she looked at me and told me about how she started to find evidence of this kind of sexual energy everywhere. Then they both looked at me and smiled. And asked me if I wanted to know more. Of course I said yes. Learn More: https://mindpersuasion.com/humor-brilliance/
  4. https://loopvids.s3.amazonaws.com/July27Post.mp4 We like people with strong frames. This is as instinctive as liking food that tastes good. We like people who are confident that they can handle things that come up. But unfortunately, there are very few people like this in real life. And the "alpha types" in the movies are almost always incorrectly written. Very serious, never smiling, always scowling, kind of a brooding, loner type. What would a REAL alpha be like? Let's imagine this from an ancient, instinctive perspective. Alpha, of course, is a leader. The guy who figures out what to do. The guy who makes sure EVERYBODY is taken care of. The guy you can approach and ask for help if you need to. The guy who makes sure that the team brings home the food. And that they are all safe. And the alpha is the guy who inspires the tribe. The guy who motivates them to do the scary stuff. Like an ideal football coach. Not mean, not a pushover, but a guy who wants you to win, and wants you to win by stepping up. I had a friend that was a baseball coach. He had a very clever way of testing his players to see if they were in "game mode." For example, if he had a pitcher that was struggling, he'd walk out to the mound. He wanted to test his frame of mind. If he was relaxed and confident, he would pass the test. If was too nervous, too worried to concentrate, he wouldn't pass the test. What was the test? A simple joke. The kind jokes baseball players tell each other when they are relaxed, and clowning. Humor is a very, very versatile tool. He would watch the pitcher's face, and see how he reacted. If there was no reaction, he was too stressed. On the other hand, if he could forget the game just for a second, and laugh, then he was OK. Consider that a fine sense of humor is a very necessary alpha trait. If you take yourself too seriously, it's going to give off weird vibes. A sense of humor can be considered the ULTIMATE alpha trait. Why? Having a SENSE of humor requires very fine emotionally calibrated intelligence. You have to know when to listen to somebody they are being serious. You have to know when their emotions shift, and the right time to deliver a humorous reframe. Even better is if you can experience your own problems and make jokes about them. Both to yourself, and to others. This demonstrates to others that no matter what happens, you won't lose your mental balance. This is a true definition of leadership. By effectively being able to lead yourself, you'll easily be able to lead others. Learn More: https://mindpersuasion.com/humor-brilliance/
  5. https://loopvids.s3.amazonaws.com/July26Post.mp4 It's very hard for our brains to see structure. Even when it's pointed out, it's easy to forget. Like you might take a class in popular music theory. You might spend a lot of time studying chords and chord progressions. How chord progressions are constructed. What it means to have chord-discord etc. You might spend a lot of time studying what they call the "wheel of fifths." You might even get into the ancient cult of Pythagoras. Who noticed, experimentally, that certain ratios sound very, very nice together. A piece of string, 3x that length, and 5x that length, all vibrating together sound very pleasing. You may even take a deep dive into philosophy, anatomy and biology, and try to understand, "why" some scales make us feel happy, some sad, some other, very specific emotions. You can spend an entire CAREER studying stuff like this. But as soon as your favorite song comes on the radio? You FORGET all about structure, and focus on content. The melody, the lyrics, and things you remember while singing along in your car. It's very HARD to see both structure AND content at the same time. It's easy to lose yourself in the content. It's hard to maintain a detached, objective viewpoint when studying structure. Music structure, story structure, character arc structure. It's very EASY to lose yourself in a song or a book or even a silly TV show. This works with humor just as well. Humor has a structure. One that can be studied, learned, and improved. Consider an old Groucho Marx joke: "Last night I shot an elephant in my pajamas. How he got into my pajamas, I'll never know!" If you don't know anything about structure, and you hear that joke, you'll laugh. And think the common thought of: "I don't know how people come up with jokes like that." But once you understand the structure of that joke, you'll never think that again. Because YOU will be coming up with jokes like that. Every day if you want. For example, that "elephant in my pajamas" joke is based on something called "Scope Ambiguity." In the first sentence, we assume the modifying phrase, "in my pajamas" is applied to the shooter. But in the second sentence, we find it's applied to the elephant. Once you understand this structure, you can start writing your own. Sure, most of them will suck pretty bad. "Yesterday I had a banana split with my ex girlfriend." "The banana and ice cream were good, but my ex girlfriend wasn't as delicious as I'd hoped." But every once in a while, you'll come up with a pretty good one. Which you can drop in any conversation you want. For example, that silly ex girlfriend joke can be used any time somebody is talking about getting together with their ex. Just this one structure, if you practice a few minutes a day, will turn YOUR brain into a comedy goldmine. How many structures are there? Enough to keep you busy for a long, long time. And to give enough material to NEVER run out. Learn How: https://mindpersuasion.com/humor-brilliance/
  6. https://loopvids.s3.amazonaws.com/July25Post.mp4 What's the difference between hypnosis and humor? Timing. The linguistic structures are the same. Ambiguities, reframing. You can use ambiguities to fade somebody's brain while telling them a bunch of somewhat disconnected stories. Ambiguities on the sentence level. Ambiguities on the structural level. You have three or four stories on the same kind of theme. Like overcoming some kind of social anxiety. You tell four stories all about people who overcame some kind of social anxiety. But by the time you get to the middle story, their brains are so utterly confused, they just give up. Especially when you use a deeply embedded quotes pattern. The first story is about a you talking to a guy. The second story is a story told to you buy that guy. Then in that second story, another guy is talking to another guy. By the time you get to the middle, nobody, except for you, has any clue what is going on. So in the middle story, with one ambiguous guy talking to another ambiguous guy, you quote one of the guys. And then YOU say something like this: And then he looked at him and said: And YOU tell the person you are talking to in real life whatever you want to say. Their brains will be so faded, you can look DIRECTLY at them, give them a ton of DIRECT commands, and they'll just nod. Um... uh... yeah... OK... Of course, later, when you finish all the loops, they'll forget ALL ABOUT that middle part. But those commands will be INSIDE their brain. This is essentially how covert hypnosis is used in therapy. Fade their brain, drop in a bunch of commands, and everybody lives happily ever after. All with TONS of layered ambiguity. Which story you are telling, who's saying what to whom, and sentence level ambiguities like "lack of referential index." The lack of referential index is a FANTASTIC party trick. You introduce a few people. Then later you refer to those same people but only with pronouns. So nobody knows WHO you are referring to. And if you set up the people, and what they are doing correctly and THEN refer to them with pronouns, you can use the quotes pattern to put some CRAZY things in the middle. For example: The other day I met this crazy girl at this bar downtown. She and her two friends were telling me about this bachelor party one of her friends worked at, lots of sexy strippers and customers. Then she looked and me and told me how she would always look directly at people and say: "You have no idea how much CRAZY SEX we are going to have!" "You have no idea of the secret sex tricks I know that can give you a four hour orgasm!" "Do you believe that?" Because you set it up with so many "interesting" people, and surrounded that middle part about sex with a whole slew of confusing pronouns, whoever you say this to will have a happily spinning brain. That's the COOL thing about all these linguistic patterns. You can put them together in some very clever ways. Learn More: https://mindpersuasion.com/humor-brilliance/
  7. https://loopvids.s3.amazonaws.com/July23Post.mp4 There are a lot of reasons we like somebody. Not just guys liking girls or girls liking guys. But how we subconsciously choose our friends. The people we end up hanging around at school and work. The subconscious things they project that we subconsciously pick up on. The way we kind of "sniff each other out" when we first meet them. Some new guy or gal is hired at work. They're introduced around, and we quickly form an opinion. Then as we continue to work with them, our opinion is either proved correct, or we might need some adjustments. But there is one trait that is UNIVERSALLY liked. Not only universally liked but universally craved. Even without needing to speak. Example: Once I found myself in Seoul, Korea. In the airport. I had about a 12 hour layover. So I decided to take a tour of the city. I was on vacation, so I was in exploration mode. I went through customs, found a half day tour bus and away we went. We went to all the main museums, historical sites, etc. It was a small van, and there were about 8 of us. The last stop was a very gimmicky jewelry shop. Cheaply made stuff for high prices. The dude selling the stuff had a very stereotypical salesman energy. Nobody bought anything, so we got back in the van, to go back to the airport. Some other guy I'd been "hanging out with" throughout the tour started to make fun of the jewelry sales guy. So did I. But he was Asian, (not Korean) and didn't speak any English. That didn't matter. Before we were back to the airport, we were both laughing about the last minute attempt for money. All through gestures and facial expressions. And a shared, universally appreciated humor instinct. When it comes to humor, there is surface structure, fake humor. Memorized jokes, etc. But on a deep, deep level, lives the TRUE humor instinct. If you radiate a genuine humor instinct, it presupposes a LOT. It presupposes you have emotional intelligence. That you can read people well. That you can measure what kind of humor is appropriate, and what isn't. It is a very friendly way to share mutual "less than ideal" situations with other people. A very instinctive way of saying, "Hey, we're all in this together." If you radiate a genuine sense of humor, both verbally and non verbally, many, many other things will be assumed. And all of those things they'll assume about you, will be GOOD. Which means those people you share your deep humor with will enjoy you, appreciate you and WANT you around. The best part, is this is an instinct. Which means it can be learned, improved, and strengthened. Learn More: https://mindpersuasion.com/humor-brilliance/
  8. https://loopvids.s3.amazonaws.com/July22Post.mp4 About a year or so ago, I bought an instant pot. Fantastic. Pressure cooker. Couple of weeks ago, I started using it "boil" eggs. Learned from some lady on YouTube. They come out perfectly, every single time. But it's not like other instant pot recipes. Most of them, you throw it in, set the timer, and when the timer goes off, it slowly releases the pressure. Over about ten minutes or so. So there's no rush. But with eggs, you have to pay attention. The instant pot has two ways to release pressure. Slow and quick. For eggs, you need quick release. As soon as the timer goes from 1 to 0, you need to act fast. Quick release. Take the eggs out, put them in cold water. Otherwise, they become hard to peel. When you flip the lever on top, for quick release, a ton of steam comes shooting out. Kind of cool. But even when the steam stops coming out, I still kind of flinch when taking off the lid. Part of me wonders if the quick release knob is broken, and I'm about to blow myself to smithereens. Something about pressure is intuitively dangerous. Too much pressure can cause plenty of problems. That's why nature has things like volcanoes and geysers. That pressure has to go somewhere. High blood pressure can kill you in two basic ways. Slowly and quickly. Even metaphorical pressure is horrible. Pressure from your boss, your spouse, your kids, those bastards who keep sending the past due bills. Today, there is a lot of different pressure from a lot of different places. Luckily, in our brains is a pressure relief valve. Very much like my instant pot. But if you don't use the pressure relief valve, you'll blow. Like a volcano. What is the pressure relief valve? Humor. We humans are genetically programmed to release pressure by making silly jokes. Even way back in the days of kings and queens, they NEEDED things like court jesters. Decent comedians make a TON of money because they provide a very VALUABLE service. Often, laughter really IS the best medicine. If you can make people laugh, you'll be a valued person. If you know WHEN to make people laugh, even better. Even MORE better? Knowing when to make people laugh, AND being able to do so with SPONTANEOUS humor. This is why it's called a "sense" of humor. You can sense when, how and to whom to toss out the silly jokes. Luckily, humor has a very specific structure. A very specific LINGUISTIC structure. Learn this, and you can come up with funny lines, jokes, even long, hilariously entertaining stories NOBODY has ever heard before. On the spot. Learn How: https://mindpersuasion.com/humor-brilliance/
  9. https://loopvids.s3.amazonaws.com/Mar02Post.mp4 One common trait that most people enjoy is a sense of humor. It's one thing most ladies like in their men. It's one thing that most people dig in their friends. Even most movies, no matter how serious they are, need to have a bit of comic relief. Psychologist believe that humor is a kind of pressure relief valve. When we laugh, our bodies quickly tense up and then relax. Even animals like to goof around, seemingly for the same reason. But what goes in your brain when you laugh? What, specifically, is the structure of humor? One simple structure is ambiguity. In conversational hypnosis, there are different kinds of ambiguity. There is the long, stretched out ambiguity that is very trance like and easy to leverage things like commands, anchors, and post hypnotic suggestions. Then there is the very sudden, unexpected ambiguity. Like phonological ambiguity. When a word or phrase hits our brain, but it means two things at the same time. Why did the boy study on the airplane? He was in high school. Which building in town has the most stories? The library. What starts with "e," ends with "e," but only contains one letter? An envelope. Some jokes are set ups for these ambiguous punch lines. Often a common phrase that means one thing, but in the context of the joke means something completely different. For example, one day an elephant was walking through the jungle and fell into a hole. He called his buddy, the mouse, for help. The mouse showed up in his Ferrari, and pulled him out with his winch. A week later the mouse fell into the same hole. The mouse called his buddy the elephant to help him out. The elephant straddled the hole, and lowered his dick into the hole, telling the mouse to grab on. The mouse grabbed on, and the elephant pulled his buddy out. Moral of the story? If you've got a big dick, you don't need a Ferrari. Now, it's one thing to fill your head with jokes to tell at parties. But as SOON as you start talking, everybody knows a punch line is coming. A MUCH BETTER way to create funny feelings in their brains is to be able to come up with these different meanings in the moment. This will give you a lot of power. Because with the same linguistic structures, you can reframe ANYTHING into anything else. You can take something somebody says, and flip it around to a completely different meaning. Turn a snide comment back on the speaker. Turn a limiting belief into a positive belief. Turn a random, common complaint, about anything, into a reason to laugh. Once you learn the structure of linguistic reframing, NO IDEA will be safe from your ninja skills. You'll be an idea assassin, bringer of good times and destroyer of evil intentions. Learn How: https://mindpersuasion.com/tongue-fu/
  10. https://loopvids.s3.amazonaws.com/Nov16Post.mp4 Everybody loves a sense of humor. Humor comes in two levels. Pre-planned, and spontaneous. One is based on an understanding of the structure of humor. Sometimes guys who write the funniest comedy movies and TV shows are the LAST guys you'd think are masters of humor. Other actors and comedians who look naturally gifted are really only excellent performers. I had a friend once who took his kid to see a famous comedian. The kid really admired the guy. The father and son made their way backstage to meet the guy. His normal, off stage persona was much, much different than his on stage persona. On stage was really energetic and charismatic. But when they found him back stage, he was angry, smoking a cigarette and was radiating "leave me alone" energy. It's rare you find somebody who IS both. Meaning they not only have a genius comedic brain, but they have a genuinely funny, in the moment personality. For most people, having a good sense of humor doesn't mean standing up on stage and telling jokes. It doesn't mean being a behind the scenes comedy genius. It just means being able to see, create, and appreciate humor as it happens in the moment. Not just to be a party clown. Not just to be the entertainer, but to truly understand the structure of humor. To realize that the linguistic structure of humor is very similar to the structure of hypnosis. Not the swing your watch and fall asleep hypnosis. But the conversational type. The kind that lets you look in between their words. To look in between their thoughts. And twist around ideas and beliefs and perspectives. To take the ordinary and mundane, and spin it to the fantastic and exhilarating. It's one thing to have a head full of jokes. To be able to take any conversational topic and say: "That's like when this guy walked into a shoe store with a penguin..." But it is a completely different level of skills to MAKE UP humor on the spot. Based on ANYTHING anybody is saying. This is a skill. And like any skill, this takes practice. But it's a skill that few people know about. Few will even understand HOW you do what you do. And since it's a skill, the more you practice, the better you'll get. The better you get, the more people will admire you. Remember you. Want you. Learn How: https://mindpersuasion.teachable.com/p/party-hypnosis/
  11. https://loopvids.s3.amazonaws.com/Nov13Post.mp4 There are two ways to make an impression on somebody. One is to be "better" than everybody else. This is what nearly everybody does. Even when we are having regular conversations with regular people, everybody tends to outdo one another. The loudest laugh, the most interesting comment or anecdote. Most of the stuff most people do is done to hopefully impress others. Imagine, just for a moment, that nobody was allowed to talk about things like watching documentaries, or other non-fictional material. Sure, we like to watch those things because they are interesting, but we also like to watch those things so we can talk about how we like to watch those things. Few people "brag" about how they love to watch brainless superhero movies. But plenty of people "brag" about how they watch documentaries. Check any online dating profile, and people will tend to use the idea that they watch documentaries as a kind of positive trait about themselves. Documentaries kind of give us "ammunition" to use when discussing important things with important people. When we need to have interesting and important sounding opinions. But this kind of thing really doesn't get people's juices flowing. Most people like to feel good feelings. Happy feelings. Funny feelings. Excited feelings. Romantic feelings. Sexual feelings. Talking about how we spend time watching TED talks sort of makes us sound smart, but it doesn't create the feelings people REALLY want to feel. Few people have the ability to just show up and make people feel good. When we try to do this, we try to relate funny stories. Things that happened to us. But this is STILL a kind of competition. Whoever can relate the most interesting, and hopefully funny stories. This can be fun. But it's also presents the "fastest gun in the west" problem. Once you establish yourself as a funny anecdote type person, it's pretty EASY to outdo. You tell a goofy story about some guy you met on the bus. Somebody else can easily outdo you by looking in THEIR brain and finding an equally funny store. "Hey, that's like that one guy I saw other day..." And just like that, your time in the spotlight is over. The solution? Outframe EVERYBODY. Forget about competing based on CONTENT. Outframe everybody by focusing on STRUCTURE. When you focus on content, it automatically reminds people of other, similar content. Which leads to never ending content contests. But when you switch to using structure, nobody will have any IDEA what you just did. But they'll have a funny feeling in their brain. One that is hard to match. Since it's very hard to define. This will give YOU a reputation that nobody else can ever come close to. Learn How: https://mindpersuasion.teachable.com/p/party-hypnosis/
  12. https://loopvids.s3.amazonaws.com/Nov12Post.mp4 One of the most important ideas is flexibility. The more ways you can skin a cat, the more likely you'll skin a cat. If you can only skin a cat using your special cat skinning knife, and you can't find it, you won't be skinning any cats. Of course, nobody would really want to skin a cat. That would be dangerous. Cat's don't really like having their skin removed. But the idea of skinning cat, or more importantly the part about having more than one way to skin cat, is instructive. As all metaphors are. Once they had this cooking show. It was one expert chef with a couple of amateurs. Two or three teams. The game was they wouldn't know what they had to cook with until the timer started going off. And they usually had very simple ingredients. Stuff most of us have in our own kitchens. (Don't worry, they weren't cooking skinned cats!) The fun part was watching these master chefs whip up some pretty good dishes with only some basic ingredients. The more flexible you are, the less you need to work with to get whatever it is you want. What do most of us want? More money, more sex, more social recognition and respect. What do we have to work with? Most of us aren't rich. We aren't gorgeous. We don't wear thousands of dollars worth of bling. But we don't need that kind of stuff. We only need the ideas that exist already in our brains. And an understanding of the structure of language. The structure of language is very closely related to the structure of thought. Two things people RARELY even think about. When most people communicate, they take half baked thoughts and spit them out with randomly chosen words. This is common, this is ordinary, this is expected. This is also pretty safe, and pretty boring. It won't get you into any trouble. But it won't get you paid or laid either. What will? Using your communication like a tool. A playful tool. You don't need any more education. You don't need spend any time collecting world class experiences. All you need to do is to take some time and understand the massive amount of flexibility in your language and your thought. To turn people's random streams of boring ideas into linguistic pretzels. To take the common complaints and limitations other people spit out and turn them into reasons to laugh out loud. What will this do for you? This will make you much more popular. Much more attractive. Much more fun to be around. No bling or beauty required. Learn More: https://mindpersuasion.teachable.com/p/party-hypnosis/
  13. https://loopvids.s3.amazonaws.com/Nov10Post.mp4 Laughter is a very powerful tool. From a purely physiological standpoint, it provides quick stress release. When we laugh, our body quickly contracts, and then releases. When we release, it also releases a lot of pent up stress. From a purely energetic standpoint, it's like a quick purge of bad energy. And it feels very good. Even in a bad situation, a quick comment can significantly relieve the stress. Long time ago I went to traffic school. The kind to keep a traffic ticket off your record. The guy who taught it was a cop. He said the only time he ever let somebody off a ticket was if they told him a quick joke. Not a set up, but a comment that was spontaneous and in the moment. Nearly all women, when they list the required traits of the their dream guy, is a sense of humor. Being able to take a serious situation and reframe it in the moment to something funny is a very attractive trait. Because if you can reframe something serious into something funny, you can pretty much reframe anything into anything. Demonstrating skills of humor presupposes a deep and very flexible way of thinking. To say that somebody doesn't have a sense of humor is to say they are very rigid in their thinking. To say that somebody has a great sense of humor is saying a lot. Much more than making people laugh. That you can pretty much handle anything that comes up. That you can think way outside the box. That when unexpected things come up, you don't stand their frozen. You come up with solutions. The linguistic structure of humor is very similar to the linguistic structure of conversational hypnosis. One way to create a massive frame of attraction is to be known as a hypnotist. To be known as a hypnotist is to be confident, funny, lateral thinking, and very friendly and spontaneous. All very, very attractive traits. The more you learn the structure of humor, the more you'll learn the structure of hypnosis. This goes both ways. And since this is a structure, not something that's inborn, it's easy for anybody to learn. Learn the structure of language. Learn the structure of thought. Learn the structure of subconscious and non verbal communication. This is pretty much the master key of human nature. The more you practice, the better you'll get. Learn More: https://mindpersuasion.teachable.com/p/party-hypnosis/
  14. Humor Instincts and Ambiguity: https://mindpersuasion.com/time-flies-like-an-arrow/
  15. If you watch a lot of TV, you'll find a lot of common characters. Once, a long, long time ago, a friend of mine and I made a discovery. We found that every comedy show has at least one guy that is kind of an idiot. The comic relief character. Little did we know that all fiction is made up of very common archetypes. For example, it's widely recognized that The Seven Samurai had a large influence on the first few Star Wars movies. If you watch both, you'll see that EACH of the Seven Samurai has a very close archetypical match to each Star Wars character. For example, there was the one Samurai who only wanted to make money. He was a very common, "outlaw-hero" archetype. Just like Han Solo. He began as a smuggler, and then was swayed by the "cause" to fight alongside the rebels. All fictional stories have these archetypes because that is what we humans are drawn to. We see ourselves in each one of these, at different times. Sometimes we are the outlaw hero. Sometimes we are the young hero. Sometimes we are the old wise hero who trains the young and inexperienced hero. But sometimes, it's appropriate to be the comic relief. Especially at parties and social situations. After all, we don't go out on weekends to destroy the villain. We want to knock back a few and have some fun. Many people want to be funnier. To make people laugh more. Luckily, this is a skill that you can learn. A very POWERFUL skill. It requires understanding the structure of language. Because the structure of language is the structure of thought. And if you understand that, you can REALLY have some fun. Even if people are complaining about things, which people are prone to do. You can drop in a couple of brain bombs and get things going. Get people smiling. Get people laughing. Because even the most serious movies NEED some comic relief. And if you learn this from a structural level, you'll be able to morph into any archetype you want. And BE any hero you want. Learn How: http://mindpersuasion.com/party-hypnosis/
  16. One way to understand attractive personalities is to think in terms of ancient societies. Our brains, bodies and instincts are the same as they were tens of thousands of years ago. We humans just don't evolve very quickly. So, what personality characteristics are MOST attractive? The biggest problem in ancient societies was getting enough food. Of handling problems that came up during that process. Back then, you HAD to be productive. You had to be able to get stuff done. And the more stuff you could get done, the more TRUE CONFIDENCE you would radiate. Not confidence based on anything fake. Confidence based on real memories of real experiences where you were successful. This may not be something you want to hear, but humans send and receive a TON of information via subconscious body language. So if you truly FEEL confident, everybody is going to know. If you are trying to fake confidence, it may work for a little while, but it won't last through a conversation. This is exactly WHY girls test guys. To see if their confidence is REAL or FAKE. Just that she's testing you is a bad sign. If she is testing you, her subconscious DOUBTS your confidence. But it's easy to create REAL confidence, even if you don't feel it. At least right now. The trick is not to conjure it up in the moment. This is the FAKE confidence that invites frame tests. Real confidence can be built using ONLY the memories in your brain. It takes time, but it is VERY POWERFUL. You can do this with any emotional state you want. Even building in various switches for various emotional states. People that are naturally charismatic and outgoing do this NATURALLY. Meaning they NATURALLY recall and reference positive memories. This creates a string of positive experiences. Which keeps the whole positive charisma cycle going. You can, however, jump start this process. Kind of like priming a pump. Just take some time, find plenty of decent memories and PURPOSELY reference those. And you can create that SAME outgoing, friendly, charismatic attitude. This is THE most important thing. It only seems like it's not because so FEW people have this natural, outgoing charm. But when you take the time to build it, you'll see. Once you have a collection of positive inner game states, layering some outer game behaviors on top will be EASY. Making you the most attractive person around. Learn How: http://mindpersuasion.com/party-hero/
  17. There is a clear discrepancy between what we say we want, and what we really want. The things we TELL ourselves (and each other) what we want is based partially on what we SHOULD want. But the things we actively GET, especially when nobody's looking, is what we REALLY want. This is one main reason why marketing studies must be done like medical studies. As objectively as possible. If you ask people for feedback, they'll tell you what they think you WANT to hear. So marketers have to take care to set up special studies so they can OBSERVE what people choose. Similarly, whenever anybody does any medical research, and the data is SELF-REPORTED, it's almost always flawed. Especially if it involves eating. Nobody is totally honest when they report what they REALLY ate. When thinking about humans and attraction, there is a common idea. That you should ignore what people SAY, and watch what people DO. But there is ONE THING that people SAY that want, and also respond to. The ONE quality we all both consciously acknowledge is desirable. And will subconsciously acknowledge as desirable. What is this mysterious trait? A sense of humor. Everybody SAYS they value humor. AND people naturally gravitate AROUND people who HAVE a strong sense of humor. Maybe because humor is a function both an inner and outer game. True outer game humor reflects inner game STRENGTH. Especially self-deprecating humor. This can be VERY DANGEROUS. Many people attempt self deprecation without being 100% congruent. So in a sense, they are kind of fishing for compliments. But if you can use self-deprecating humor with 100% congruence, it will be VERY ATTRACTIVE. Because it demonstrates massive inner confidence. This is the underlying "energy" of the "agree and amplify" response to any playful insults. "Dude, that shirt is ugly!" "I know, right! I got the UGLIEST shirt in the shop! Winner Winner chicken dinner!" This is HARD to pull off if you don't feel it. But if you DO feel it, the surface structure doesn't need to be complex. It can be very, very simple. Paradoxically, the BEST self-deprecating humor demonstrates the STRONGEST confidence around. It's almost like you are proudly challenging anybody to an insult contest. Where YOU can insult you better than anybody else can insult you. Only exceptionally confident people with exceptionally strong frames can do this. Which means that ONLY learning the words aren't enough. You must also build up your inner game. You can learn that here: http://mindpersuasion.com/party-hero/
  18. Expanding conversational skills can leading to growing social circles. And if you are going to grow your social circles, you'll need a place to keep them. The thing about social circles is that most people have NO IDEA how big they can get. Which means if you have a small one to start off with, you might need to switch to a bigger container. And interesting thing about expanding social circles is they can lead unexpected opportunities. Of course, unexpected opportunities differ from expected opportunities. Expected opportunities tend to turn out differently than we think, which makes them unexpected but in a different way. Compared to your normal, run of the mill unexpected opportunities which just normally pop up when you least expect them. Which isn't really that normal. Since being normal is only doing what is expected. Of course if you ONLY do what is expected, that presupposes there's a group of people out there who have a bunch of expectations. Kind of selfish of them to hog all the expectations. You'd think they'd share some of them with the rest of us. Then we could ALL have some expectations. Then we might get together and trade expectations like baseball cards. And then you might get some expectations that might not be worth much in their rookie year. But then they might turn out to be a super star. And THOSE expectations might turn out to be worth a pretty penny! I once knew a girl named Penny, but she wasn't pretty. I mean she was cute, but I wouldn't go so far as to call her pretty. I didn't really EVER have to go very far, since she lived next door. Next door neighbors can be a mixed blessing. Of course, mixing blessings CAN be dangerous. Kind of like in chemistry class. When our teacher specifically told us to NOT mix two jars of chemicals. Me, being the kid I was, decided to mix them just to see what the big deal was. What happened was I got kicked out of chemistry class. Not the reaction I was expecting. I was expecting AT LEAST some smoke or something. Maybe an explosion. Developing an explosive sense of humor can REALLY help you be a hit at parties. Or anywhere you WANT a party to be. Some people ONLY go where previously planned parties are expected to happen. Other people have learned how to MAKE parties happen. Anywhere they happen to be. Which can be YOU if you play your cards right. Of course, you don't really need cards. Just your brain. Learn More: http://mindpersuasion.com/party-hero/
  19. One flexible source of meaning is any cause-effect. Our brains seem to struggle with any kind of cause-effect. If you are a scientist, and you need to PROVE that A causes B, it's not so easy. A common phrase that illustrates this is the famous, "correlation doesn't imply causation." Somebody, either in person or online, will mention that something causes something else. Or they'll imply it with the many handy linguistic tools built in to our brain. Then somebody will wisely say (or post): "Well you know, correlation doesn't mean causation." These can lead to some interesting discussions. And some heated arguments. But they can ALSO lead to some pretty funny statements. Or purposeful "misinterpretations" of what people say. Our language is FILLED with ambiguities. If you were to learn to SPEAK in ambiguities, it would take a while. But it would be INSANELY powerful, as speaking articulately and specifically in terms of ambiguities is what covert hypnosis is all about. But if you can pluck out any of the ambiguities that we silly humans say all the time, and PURPOSELY misunderstand them, it can be VERY FUNNY. Not just cause-effect statements, but something called "scope ambiguity." A scope ambiguity is the driving force behind the famous Groucho Marx joke: "Last night I shot an elephant in my pajamas. How he got into my pajamas I'll never know!" Once you train your brain to SEE these, you'll see them EVERYWHERE. For example, let's say you have a friend who said she went out to get the paper in her bathrobe, and her neighbor saw her. "The other day I was getting my paper and my neighbor saw me in my bathrobe. It was pretty embarrassing!" You COULD say: "Your neighbor? In your bathrobe?" To which your friend would say: "Yes!" To which you'd reply in mock horror: "What was your neighbor doing in your bathrobe?" Obviously, this is pretty silly. But it's also very EASY. And it's also potentially very CATCHY. Meaning if your friend is in a playful mood (if you're at a party or a bar and the drinks are flowing) she can play along with the "new reality." This what happens when you build a party frame. Somebody says something normal. Which most people do most of the time. Then YOU take it and REFRAME it into something goofy. Since a fun, goofy frame is BETTER than a normal, boring frame, people will tend to join in. And play along with the idea that your friend has a weird neighbor that is somehow sneaking into her house and getting her clothing. And then standing outside wearing it like no big deal. Once you train your brain to reframe cause-effect statements and scope ambiguities, you'll see them EVERYWHERE. Giving you TONS of opportunities to make people laugh out loud. Learn More: http://mindpersuasion.com/party-hero/
  20. Next time you are in the middle of a randomly flowing conversation, do this experiment. Watch not only how people talk, but watch how the content of the conversation is an organically evolving "thing." Kind of like a beach ball at a concert or sporting event. People kind of see it bouncing around. When it comes their way they try and keep it bouncing around. Watch people watching this imaginary "conversational ball" floating around. Most people are doing a couple of things when they are NOT talking. They are paying attention to whoever is talking. And they are trying to come up with a related story or anecdote. So if this imaginary conversation ball comes their way, they can add to it and keep it bouncing around. When the conversation dies out, it's very much like "dropping the ball." Everybody looks around for somebody to hopefully get it going again. Very much like standing in a circle and hitting a volleyball around, or playing hacky sack. The longer the ball keeps flowing, the better. But this is difficult (and create anxiety) if you don't happen to have any stories or related anecdotes. The longer you stand there without talking, the more you start to get worried that everybody is watching you stand there without talking. This leads to the most common "reason" for social anxiety. "I don't know what to say." Luckily, there is a very easy solution. And that is instead of focusing on CONTENT, start to train your ears and brain to focus on STRUCTURE. The structure of any random conversation is very similar. And it's filled with possibility. For you to reach in there, tweak it, and create some very happy, and very goofy feelings in their brains. And since this structure is something few people ever notice, it will make you look like you're on another level than everybody else. Even if you borrow the content from other people. This means you don't have to have any stories, or clever anecdotes or tales of adventure. Just the ability to playfully tweak the structure of anybody's conversation. This is the kind of party skills that not only make you memorable, but an IN DEMAND party guest. Learn More: http://mindpersuasion.com/party-hypnosis/
  21. One of the key ideas in Psycho-Cybernetics is to never compare yourself to others. This is also a helpful economic strategy. If you are always comparing yourself to your neighbors, you'll end up chasing an unachievable goal. Because no matter how well you do something, you can ALWAYS find somebody else who can do it better. This is similar to the dangers of being the "fastest gun" in any western town. As soon as you are recognized as the fastest gun, every goof west of the Mississippi will come and test you. Which means part of the job description of being the fastest gun is ALWAYS having gunfights to prove you are the fastest. Not a very healthy occupation! We humans are always finding clever ways to out do each other. You might even say it's part of our nature. We are, after all, very hierarchical social animals. Even when hanging out with friends, it's common to try and "outdo" each other by the stories we tell. Especially at parties when trying to "impress" people you've just met. If YOU want to impress them, there's a chance others are as well. And the fastest gun fight is on. Of course, you can bring a secret weapon. One that very few people know about. Instead of focusing on the CONTENT, the actual things people talk about, you can use some structural elements. Structure based communication hits people on a much deeper level than content level communication. Using a gunfight metaphor, being a fastest gun only works against people that just stand in one place. Using structural language would be like having the ability to zip in and out of existence wherever and whenever you wanted to. Effectively allowing you to dodge bullets. On a structural level, this will make you stand out FAR above everybody else. No matter HOW "interesting" their "content" is. But being able to manipulate the STRUCTURE of communication, it will be like having magic powers. Which means when they see you coming, everybody just gives up and gives in. To whatever you want. Learn How: http://mindpersuasion.com/party-hypnosis/
  22. The reason we humans like to mingle with other humans is we are social animals. The reason we go places when we can potentially meet new people is because meeting new people is interesting. Especially if we "click" with those new people. Either friends or lovers, meeting new friends with whom we share a lot in common is a very comfortable and deeply human feeling. The very basic common strategy when doing that is we try our best to make ourselves stand out somehow. This is why we are careful about what we wear, and even how we speak and behave when we are around new and interesting people. This is the essential strategy behind "peacocking." To wear clothing, jewelry, or anything to make you IMMEDIATELY stand out from the crowd. So when people approach you, they have a PRESET idea that YOU are DIFFERENT from everybody else. This can be a risky strategy. Because you have to have a personality that is strong enough to withstand all the attention. Which is why few people feel comfortable peacocking too much. Recently there was a very famous wedding. And one thing that happens when there is ANY famous gathering, is they look at all the clothing people wore. Mostly the ladies. At the same time, each person who goes to this famous gathering, KNOWS this is going to happen. So, at the same time, they want to STAND OUT, but not too much. This is the same strategy most of us use when we go places. We want to STAND OUT, but not too much. One thing VERY FEW people think about when they go places socially, where meeting new people is acceptable, is to work on their communication skills. This is a very clever way of using the Cialdini law of comparison and contrast. If you think a movie is going to be average, and it BEATS your expectations, you'll think it's MORE entertaining than it was. If a stock is expected to report earnings of $1.02 a share, and instead they report earnings of $1.05 a share, it will rocket up. The idea of "beating expectations" is VERY POWERFUL. So when you show up anywhere wearing fairly normal looking clothing, but your communication skills are EXCEPTIONAL, then you will beat expectations. And you'll be FAR more memorable than some goof wearing a huge top hat and dressed up like the mad hatter. In fact, extreme peacocking REQUIRES you have an extreme personality to match the clothes. But if you are dressed normally, but have a communication style that is just a bit on the funny-crazy-hypnotic side, people will NEVER forget you. Kind of like you're own secret agent party strategy. Learn More: http://mindpersuasion.com/party-hypnosis/
  23. One way to quickly put people in a trancey mood is to talk about trancey things. It's one thing to specifically use hypnotic language structures, and either hypnotize them directly, or use covert hypnosis. But much easier way, especially if you are getting started, is to talk about trancey things. Things that do the work on their own. Their are plenty of interesting paradoxes in math and physics. But if you ONLY talk about the paradoxes, it won't be much different than a regular conversation. One person throws out one idea, and another person throws out another idea, etc. And if everybody's talking about their latest experience playing video games, and you talk about some paradox of the number line, it might not go over well. But if you sandwich it between two sort of related stories, it will scramble their brains pretty well. In case you don't happen to have a lot of math paradoxes at the ready, there's an even easier way. You take whatever the structure it is of the other idea, and go up a meta level. And instead of talking about "things" talk about ideas. For example, imagine somebody was talking about some boring class they had to take at school. And the reason they were taking it was it was part of their major. They would be taking the interesting classes later. There's a lot of "me too" type stories that would have that same structure. Doing something boring that you MUST do before doing the thing you WANT to do. But instead of talking about normal things (like doing your taxes, or doing an unpaid internship) talk about trancey things. Like thinking boring thoughts that you MUST think before you can think interesting thoughts that you WANT to think. And to keep track, inside your mind you can be thinking about doing something like cleaning your room before you can play video games. But outside, you're talking about thinking boring thoughts and putting them in order before you can think the more fun and interesting thoughts. It sounds similar, from a structural level, but people will have a hard time following along. They'll watch you closely, trying to pay attention, but when you're finished (and you're acting like you talked about something completely normal) they'll look at you with a weird expression on their face. "Yeah, that's, uh, um....what?" And then you can talk about the REAL thing, (the thing you were thinking about when talking about the trancey thing), as another example. This will slowly guide them back to normal thinking land, but they'll have a kind of "hole" in their memory. There's all kinds of fun party tricks you can use with hypnosis to differentiate yourself from everybody else. Learn More: http://mindpersuasion.com/party-hypnosis/
  24. There are many ways to put things or people into categories. For example, you could sort everybody on Earth into two categories. Those who are taller than you, and those who aren't. Those who are older and younger than you. And collection of things can be sorted in plenty of ways. One way to sort things is the type of things people talk about. An interesting experiment to do is to sit back mentally and be an observer. You can even do this while watching TV. Our brain has plenty of built in sorting features, most of which are running all the time. But other sorting criteria can be shifted, and this can be pretty interesting. For example, next time you are listening to some people talk, shift your filters to see if they are talking about themselves, or other people. Ideas about themselves, their wants and desires, or their ideas about other people. Or you can play around just for fun. Are they talking about more tangible things, or intangible things? Focus on the nouns they are using. Are they physical things, or ideas? Another idea, which is very helpful, is to sort between content, and structure. This is something that few people even think about. But training yourself to switch between content and structure can be VERY powerful. Focusing on tangible things or intangible ideas, for example, is looking at their content from a structural level. Another funny way to sort their language is to look for any ambiguities, particularly scope ambiguities. For example, I was watching a TV show the other night. And one of the characters was talking about potentially eating something with particular zeal. And she said something like, "I'll attack it like a chocolate cake." Meaning the thing in question, that she was going to "attack," was going to be "attacked" AS IF the thing in question was a chocolate cake. Meaning she was going to eat it aggressively and deliciously. But you could ALSO interpret that statement to mean: "I'll attack that just like a chocolate cake would attack it!" To which one might innocently ask: "How exactly does a chocolate cake attack something?" If you train yourself to look for these kinds of ambiguities (which you'll see everywhere once you start looking), and ask simple (and silly) questions like the one above, they'll have a pretty funny effect. Because when people talk, they kind of just spit out jumbles of words without much thought. But when you ask a question that PRESUPPOSES the "other" meaning of any of their ambiguities, it will make them do a couple of mental stutter steps while they try and figure out what the heck you are talking about. The result is usually pretty funny. Once you see how many hidden opportunities there are in everyday language, making people laugh can be second nature. Learn How: http://mindpersuasion.com/party-hypnosis/
  25. There is this really goofy movie on Netflix (or maybe Amazon) called "Punching the Clown." It's comical story about the rise and fall of this guy who plays the guitar on stage while "singing" the lamest jokes you could ever imagine. Every event that caused his rise was a misinterpretation. Every event that caused his fall was equally a misinterpretation. If you're a fan of very dry, very tongue-in-cheek comedy, I highly recommend it. One of my favorite scenes is where he's "auditioning" for this very high level talent agent. The hero ALWAYS tells his jokes as if they are songs, while he's "singing" them along with his guitar strumming. Central to the whole them is the guy is REALLY not very funny, but because of all the misunderstandings, everybody thinks he's the second coming of Groucho Marx. As he's auditioning, the agent interrupts him several times, and says something like: "OK, why don't you play me the FUNNIEST one. The one that is the MOST FUNNY, right from the beginning." And the hero keeps starting various song-jokes, and the agent keeps interrupting him and saying the same thing. The entire movie is very "meta" in that it looks at humor, and what humor is, and how it's constructed. A way of looking at a non-funny guy, but from a humorous angle, but in scenes that are carefully scripted to be as dryly humorous as possible. This, in a nutshell, is the problem with any kind of COVERT hypnosis. Non-covert hypnosis is easy. You know you're using it. You're subject knows you're using it. Everybody watching knows you're using it. But with COVERT hypnosis, nobody knows but you. In fact, it really ONLY WORKS if nobody but you knows it. Which is why it's very HARD to see a real example of covert hypnosis. Since once you know it's an example of covert hypnosis, it's no longer covert, and it won't have the same effect. This is the SAME type of thing that happens when you DON'T GET a joke. It's ONLY funny if it HITS YOU all at once. If it has to be explained to you, it won't be funny. No joke is. Which is why when it comes to covert hypnosis, it's very similar to fight club. In that the first rule of fight club is to NOT talk about fight club. When you're using direct party hypnosis tricks (getting people zonked out and speaking Martian) it's ok to tell everybody what they're doing. But when using any of the COVERT party hypnosis tricks, it's best to NOT mention anything to anybody what you are doing. Just drop a few covert mind bombs here and there and stand back and watch the fun. Learn More: http://mindpersuasion.com/party-hypnosis/
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